Find out The Traditions of a Punjabi Wedding

Punjabi’s are generally considered to be the most fun-loving and generous community among most other Indian communities. They believe in living life king size that is why they are also one of the most prosperous communities of the country. Punjabis have made their presence conspicuous in almost all spheres of life, be it business, agriculture, service, food or weddings.  We all are aware of the high spirited, fun loving and dynamic Punjabi people, and their enthusiasm reflects on their wedding as well. They are simple yet fun-loving people who believe in expressing their emotion with gusto. They are probably a little more expressive than some of the other Indian ethnic races.

The rituals followed in the Punjabi wedding are very lively. From “London Thumakda” to “Proper Patola” Punjabi weddings have their own grace and elegance. The Dhol, Bhangra, Late Baraat, Cocktail, Punjabi Cuisines, elegant outfits, all sums up to a grand Punjabi wedding ceremony. They love to party especially the aunties shall never let you get bored in the celebration with their endless laughter and jokes and dance being the compulsory part of the celebrations. Punjabi marriages are quite colorful, loud, fun filled with opportunities for singing and dancing one’s heart out. Punjabi weddings may be simple or lavish, but they ensure unlimited fun and celebration. A host of pre and post wedding rituals make a Punjabi wedding a lengthy and enjoyable affair. From classy lehengas to the noisy baraat and the baratis, the ‘dance till you drop’ Sangeet to the extremely friendly and warmly-welcoming host, a Punjabi wedding is equivalent to a true roller-coaster. Let’s have a look of the various rituals that are followed in the Punjabi weddings. 

The marriage ceremony can be divided into three sections – Pre Wedding, Wedding and Post Wedding. Pre Wedding rituals consist of Roka and Thaka, Sagai, Shagun and Chunni Chadai,  Sangeet, Mehendi, Jago. Wedding Day Rituals includes Gana Bandhna, Chooda Chadana, Haldi, Ghara Gharoli, Sehrabandi and Varna, Agwaani and Milni, Madhuperk, Kanyadaan, Phere, Lajahom, Sindoor Daan. Post wedding, they have ceremonies like Vidaai/Doli, Paani Bharna, Mooh Dikhai, Reception and Pag Phera.

Pre Wedding Ceremonies:

  • Roka and Thaka – Roka Ceremony is a simple event which is usually attended by close family. This ceremony involves the bride’s family visiting the groom, in absence of their daughter, and giving the groom shagun. Some families opt to begin the ceremony with a small puja to mark the first step towards the wedding. This is followed by the groom and his family visiting the bride, which is often referred to as the thaka ceremony. The couple are given a shagun together. There is often an exchange of gifts and sweets such as fruit, Indian sweets or dry fruits. The significance of this ceremony is to declare that the couple are officially engaged, thus they can openly court. It represents the beginning of a relationship between two families, who will then discuss the wedding date. Initially this had been a low-key affair that was conducted at the respective homes of the bride and groom. However, nowadays, it has become quite popular and the respective families hold the function in a banquet hall or hotel venue.
  • Sagai – Sagai ceremony, also known as mangni, marks the official engagement between the couple. The ceremony is often celebrated in a grand way before a couple of months of the wedding. Family members and friends gather from both the bride’s and the groom’s sides. In this function, the bride is served boiled rice and milk by the groom’s family. The couple then exchanges rings. The sagai ceremony makes the match an official one.
  • Shagun and Chunni Chadai – The Chunni ceremony is performed to mark the acceptance of the bride into the groom’s family. On the morning of the Sagai or a day before, a group of women arrives at the bride’s house. They bring with them the attire that the bride is going to wear for the Sagai along with jewelry, sweets, fruits. The special part of the ceremony is the gift which is a beautifully decorated head scarf or Chunni. The Chunni is placed on the bride’s head and her face is covered with it.The bride is then gifted jewelleries like bangles or necklaces by her mother-in-law that are the inheritance of the family. A dot of henna is applied on her palm to mark the ceremony auspicious. These gifts which are given to the bride are known as Shagun.
  • Sangeet – A musical party arranged by the bride’s family is known as sangeet. It’s a tradition where the female members of the family get together and sit surrounding the bride. Together they enjoy singing folk wedding songs, dancing and teasing the bride. Many of them invite the groom and a few of his family members to participate in this ceremony. In present times, the sangeet is a special event where both the families get together to enjoy a fun-filled musical evening. From both sides of the family,  the groups present dance performances. In this way, both the families get acquainted with each other. 
  • Mehendi – Mehendi is the most essential and vital part of Punjabi wedding ceremonies. The bride sits down on a special stool and henna paste is applied to her hands and feet. Previously, family members used to apply the henna paste but nowadays professional mehendi artists are hired. At the groom’s place the same mehendi ceremony is observed but at a smaller scale. Traditional wedding songs are sung during the whole ceremony.
  • Jago –  Before the wedding day, the family stays up till late at night and Jago is celebrated till the early hours of the morning. A copper khada is decorated with clay lamps. The aunts of both the bride and the groom carry the vessel on their head while another lady will try to shake it with a long stick having bells attached. The ladies sing Punjabi wedding songs and visit houses of friends and relatives who feed them sweets. All of them dance before moving on to the next house.
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Wedding Day ceremonies:

  • Gana Bandhna – On the wedding day, at their respective houses, the bride and the groom attend a puja in the morning. Once the puja is done, the priest ties a sacred thread or mouli to their right wrists. The thread is tied around a betel nut and a shell known as Kaudi. The thread is knotted multiple times around the wrists to make it hard to untie later.
  • Chooda Chadana – A set of red and ivory bangles generally in a set of multiples of four is known as Chooda. The eldest maternal uncle of the bride plays a vital role in this ceremony. He sits for a havan during which the chooda are purified in a mixture containing milk and rose petals. The head and face of the bride is covered during the ceremony as she is not supposed to see the chooda until the moment of her wedding. The maternal uncle and aunt slip the chooda into the bride’s hands. Other elderly members touch the chooda and give their blessings. The bride is also gifted her wedding Lehenga by her maternal uncle at this time. 
  • Haldi – During this ceremony, four diyas or lamps are lit and the bride sits on a low wooden stool facing them. A paste is prepared consisting of sandalwood, turmeric, rosewater and mustard oil and is applied all over the bride’s body especially face, hands and feet by the married ladies of the family. A similar ceremony is also observed at the groom’s house.
  • Ghara Gharoli – In this ritual, the bride visits a nearby temple and is bather with holy water. The same ritual is also done by the groom. 
  • Sarbala – A kid member of the family is chosen for this ritual where the member is dressed similar to the groom. He then accompanies the groom to the wedding.
  • Sehrabandi and Varna – The groom dresses up in his wedding attire. A small puja is performed in his honor. The turban and the Sehra is sanctified by the priest in this puja. The turban and the Sehraare tied around the groom’s head by an elder male member of the family.
  • Ghodi Charna – The groom is all decked up and sets off for the wedding venue by riding a horse. The horse is also decorated and tika is applied on his forehead. The horse is fed chana dal and water by the female relatives of the groom. The groom’s sister-in-law applies surma to the groom’s eyes and then the groom mounts the horse in a traditional manner. He is then accompanied by members of his family who sets off for the wedding venue along with him. The wedding procession is accompanied by a band that plays peppy music and the members of the wedding procession dance to it’s tune. 
  • Agwaani and Milni – After the groom arrives at the wedding venue along with the family, they are welcomed by the bride’s family. This ritual when the groom and his family arrive at the wedding venue is known as Agwaani. The groom is then welcomed by the mother of the bride with a traditional arti and tika on the forehead. They greet each other and are welcomed inside the venue. This ritual is known as Milni.
  • Varmala – The groom is led towards the stage and is made to stand upon a small pedestal. The bride arrives at the stage and the couple exchange garlands. This is a ceremony where there is competition among the two sides to lift either the bride or the groom higher so that the other cannot put the garland over his or her head.
  • Madhuperk – The bride and groom then proceed to the wedding mandap and the groom is offered a small bowl of water that he has to drink. He sprinkles some on his feet and drinks the rest. He is then offered a special concoction made with honey, curd, milk, ghee and other sacred essences. This is known as the Madhuperk. The groom is to take a sip off this drink before the wedding rituals commence.
  • Kanyadaan – During this ritual, the bride is given away by his parents to the groom. He requests the groom through mantras to take good care of his daughter and the groom accepts the bride’s hand and promises her father that he will treat her with love and respect throughout his life.

The wedding havan is lit. The fire deity is the foremost witness of a wedding. The groom is handed over a plate which has fourteen parallel lines drawn on a bed of flour with a flower. The lines symbolize fourteen vows of a marriage. The priest outlines these vows one by one through Vedic mantras; the groom repeats after him and erases one line with a flower bud.

  • Phere– Next, the couple gets up. The ends of their dupattas are tied in a knot and they encircle the sacred fire four times. For the first three times, the bride precedes the groom and for the final phera she has to follow the groom.
  • Lajahom – The bride’s brother pours puffed rice into her cupped hands. The bride and the groom then offer this to the fire together and seek the Fire God’s blessings. This ritual is repeated thrice.
  • Sindoor Daan – The groom applies sindoor to the bride’s hair parting and ties the Mangalsutra around her neck. This completes the wedding rituals.
  • Joota Chhupai – When the groom is busy with the wedding rituals, the bride’s sisters take hold of his shoes and hide them. The bride’s sisters demand a ransom for returning the shoes. There is a lot of bargaining involved between the two parties and they come to an agreement. The groom has to pay the agreed upon amount in order to get back his shoes and move from the mandap.

Post-wedding Rituals: 

  • Vidaai/Doli – The bride bids a tearful goodbye to her family and throws handful of rice over her shoulder in her family’s direction. This way she expresses her gratitude towards them for taking care of her for so long. She is then sent off in a decorated car to her husband’s home. This return bridal procession is known as Doli.
  • Paani Bharna – On arrival of the Doli, the groom’s mother does an arti of the bride with a pitcher of water. After each circle, the mother-in-law attempts to take a sip of water, but the bride prevents her from drinking. She finally relents after the seventh circle. She then crosses the threshold after overturning a pot of rice with her right feet.
  • Mooh Dikhai – The couple is then taken to seek the blessings of the family deity. The bride is seated and her veil is lifted for all of her family and friends to see. The elders of the family then shower their blessings on the bride and give her gifts of cash and jewelry.
  • Reception – A lavish reception party is thrown by the groom’s family in honor of the newlyweds. A Punjabi reception is an occasion of immense joy with delicious meals and high-spirited music.
  • Pag Phera– The bride returns to her parent’s home with her husband. The parents welcome their daughter and son-in-law with a grand lunch. The couple has to spend the night at her parent’s place. The next day she returns to her husband’s home with a lot of gifts for her in-laws. This marks the end of the wedding celebrations.

Initially, the whole of this ritual starting from finding a suitable match till the wedding, was done by the matchmakers and the arrangements were made by the relatives and the family members. But with the passing time, the matchmaking is mostly done by placing an ad in the newspapers or posting the profile on the online matrimonial portals. releaseMyAd, helps people to advertise in any newspaper of their choice in selection of the right match. Having more than 10 years of experience in the advertisement industry, releaseMyAd has served more than 3 lacs happy clients. You can book your matrimonial ads in more than 250 newspapers based on your choice of newspaper, Tribune, Ajit, Jagbani, Punjab Kesari being the most popular newspapers for Punjabi matrimonial advertisements. 
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The Best Marathi Daily To Publish A Newspaper Advertisement In Mumbai

Newspapers even today have the highest readership numbers among all kinds of media platforms & in India newspapers are not only printed in english but also in different regional languages.  It is very important to understand the key of making your ad more attractive & appealing to the local  crowd by printing an ad in the regional language of that region as    

  • Why Publish An Ad In Marathi Language Newspaper In Mumbai.

Before placing any advertisement in Mumbai the first thing that comes in our mind is whether to give it in English or Marathi. Although we know that  newspapers printed in English give a more national appeal,but  Newspapers allowed in regional languages are equally important. Advertisement in the local language is the best way of getting the quickest response as well as Many people living in Rural areas are comfortable with local languages this helps to increase the readership. If your target audience is in Mumbai it is a best idea to not go for a national Papers but rather a regional one instead.

  • Top Marathi Language Newspapers Of Mumbai Based On Circulation And Readership

As We all know There are many papers in Mumbai that are printed in Marathi languages. Let me discuss with you some important lists of leading Marathi Newspapers based on circulation & readership which allows you to make the right decision while choosing the right newspaper.

Among these Lokmat  is considered to be the No. 1 regional language daily, followed by Maharashtra Times has the second highest readership in Mumbai whereas Loksatta, Sakal & Pudhari has the most widely circulated and read Marathi newspapers and is largely preferred for advertising.

You can easily place your advertisement in any of these  Marathi Newspaper easily through 

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  • Recruitment( situation vacant, situation wanted, etc) Wedding Arrangements
  • Obituary
  • Computers
  • Marriage Bureau
  • Astrology
  • Remembrance
  • Education
  • Announcement(Change of name, lost & found etc)
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  • To Rent
  • Services
  • Retail
  •  Different Ad Type

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The Best Tamil Daily to publish a Newspaper Advertisement in Coimbatore

Tamil, a South Indian language, is considered to be one of the longest living classical languages of the world. Recorded Tamil Literature that is more than 2000 years old is said to exist. Some epigraphic inscriptions on rocks found by the Archaeological Survey of India date back to around the 3rd Century as well. 

Apart from the state of Tamil Nadu and the Union Territory of Puducherry, Tamil is spoken vastly by the people of Sri Lanka, Malaysia, and other parts of South-East Asia. Coimbatore, the region where the famous Kovai Cora Cotton Sarees are manufactured is a place where Tamil is an Official Language.

Often called the ‘Manchester of South India’, it consists of a population of more than 12.5 Lakhs approx. consisting of multiple language speaking communities. Various Newspapers and other Media Companies have their branches operating in the City.

Top Tamil Newspapers of Coimbatore in terms of circulation are as follows:

  1. Daily Thanthi: 1,22,795
  2. Dinamalar: 1,74,215
  3. Dinakaran: 1,53,292
  4. The Hindu, Tamil: 31,465
  5. Dinamani: 24,956

Different Ad Formats and Categories:

Classified Advertisement

Ad Formats are of three types such as Classified Display Ads, Classified Text Ads, and Display Ads. You need to select any one of these to book Ads.

Classified Display Ads are the mini-versions of Display Ads. These are published in the Classified Section of a newspaper along with the Text Ads. They can be attractively created with photos, fonts, and colors. 

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Newspaper Display Ad

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Different categories like Matrimonial, Property, Education, Recruitment, Business, Public Notice, Change of Name, and more are available to publish the Ads. You can select them by visiting the page. 

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The Best Gujarati daily to publish a Newspaper Advertisement in Ahmedabad

About the city:

Ahmedabad, India’s first UNESCO World Heritage City is also an important industrial Hub. It is ranked second in the list of the major cotton producers of the country. Following the effects of liberalization since 1991, it has concentrated a larger portion of its resources into activities like Construction, Commerce and Communication. 

The urban population living in the City is estimated to be 63,57,690. It has also been made a part of the hundred Cities to be developed under the Smart Cities Mission by the Government of India.

About the Language:

The Official language here is Gujarati which is widely understood and spoken. The local government has even made it compulsory for school students in the primary and secondary levels to learn Gujarati. 

It is therefore of great value to pitch the advertising content in Gujarati to make it more accessible for the people living there. 

The top five Gujarati Newspapers of Ahmedabad are :

Gujarati Ad in Ahmedabad Newspapers
  1. Gujarat Samachar with circulation of 6,75,257,
  2. Divya Bhaskar with a circulation of 4,52,942,
  3. The Circulation of Sandesh in Ahmedabad is around 3,35,885,
  4. Nav Gujarat Samay has a circulation of 2,00,000,
  5. Gujarat Today with a circulation of 10,000.

Ad Formats:

Display Ads are an ideal choice to increase brand recognition. It can be published on any page of a paper and appealing colors, images and fonts can be used to engage the buyers. These Ads can be tailor-made according to your needs.

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The best Urdu daily to publish a Newspaper Advertisement in Hyderabad

Urdu, along with Hindi is a form of the beautiful Hindustani language. An Indo-Aryan language, it was created from the union of Persian and the Old Hindi or Khariboli language of Delhi. 

It had been considered as an official language of the Country since the British Period. 

Several people living in the cities of Delhi, Uttar Pradesh, Bihar, Madhya Pradesh, Jharkhand, Telangana converse in the language. Hyderabad, the Land of Nizams, is one of the primary cities where Urdu is predominantly used to read, write and speak. Here, It is fondly called Dakhini. Apart from Telugu, it is this language that is well-understood by the citizens. 

Top Urdu Newspapers of Hyderabad.

  1. Siasat Daily: 45,904
  2. Munsif Daily: 60,438
  3. Etemaad: 21,474

Ad Formats:

Different Ad Formats wherein Ads can be booked are Classified Ads and Display Ads. Classified Ads are of two types, Classified Text and Classified Display. Classified Display and Display Ads are of the similar type but the former has got a fixed width, whereas the latter has got no restrictions in terms of the size. 

Classified Text Ads:

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Classified Display Ads:

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